The camera is an instrument that teaches people how to see without a camera.
DOROTHEA LANGEThe good photograph is not the object, the consequences of the photograph are the objects.
More Dorothea Lange Quotes
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You know there are moments such as these when time stands still and all you do is hold your breath and hope it will wait for you.
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We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
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I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
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I believe that what we call beautiful is generally a by-product.
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Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
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Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.
DOROTHEA LANGE -
I trust my instincts. I don’t distrust them. They haven’t led me astray. It’s when I’ve made up my mind to be efficient that is when I have gone wrong.
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The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
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I encountered that many times, in unexpected places. And I have learned to recognize it when I see it.
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Photography is a lot like telling a large predatory cat what to do-while an audience of people you can’t see watches you.
DOROTHEA LANGE -
… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
DOROTHEA LANGE -
Photography today appears to be in a state of flight… The familiar is made strange, the unfamiliar grotesque. The amateur forces his Sundays into a series of unnatural poses.
DOROTHEA LANGE -
To me, beauty appears when one feels deeply, and art is an act of total attention.
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One should really use the camera as though tomorrow you’d be stricken blind.
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Pick a theme and work it to exhaustion… the subject must be something you truly love or truly hate.
DOROTHEA LANGE