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Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.

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Creative Effort Human Machine Need Time

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Popular Authors

Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

Photographers stop photographing a subject too soon before they have exhausted the possibilities.
DOROTHEA LANGE

Before Exhausted Photographer Possibility Soon Subject
No country has ever closely scrutinized itself visually.
DOROTHEA LANGE

Closely Country Ever Itself Scruntinzed Visually
The best way to go into an unknown territory is to go in ignorant, ignorant as possible, with your mind wide open, as wide open as possible and not having to meet anyone else’s requirement but your own.
DOROTHEA LANGE

Ignorant Mind Open Possible Territory Unknown Wide
Artists are controlled by the life that beats in them, like the ocean beats on the shore.
DOROTHEA LANGE

Artist Beat Controlled Life Ocean Shore
The camera is an instrument that teaches people how to see without a camera.
DOROTHEA LANGE

Camera Instrument People Photograph Teach
I believe that what we call beautiful is generally a by-product.
DOROTHEA LANGE

Beautiful Believe Generally Product
Photography takes an instant out of time, altering life by holding it still.
DOROTHEA LANGE

Alter Change Hold Inspirational Instant Life Photography Take
This benefit of seeing…can come only if you pause a while, extricate yourself from the maddening mob of quick impressions ceaselessly battering our lives, and look thoughtfully at a quiet image…the viewer must be willing to pause, to look again, to meditate.
DOROTHEA LANGE

Benefits Come Extricate Impression Look Maddening Mob Pause Quick Quiet
Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
DOROTHEA LANGE

Eye Life More Phenomenon Photography Psychological
The good photograph is not the object, the consequences of the photograph are the objects.
DOROTHEA LANGE

Consequence Good Object Photo Photograph
We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
DOROTHEA LANGE

Affiuelence Face People Photograph Poor Poverty Race
The visual life is an enormous undertaking, practically unattainable.
DOROTHEA LANGE

Photographer Photography Unattainable Undertaking Visual
go in over your head, not just up to your neck.
DOROTHEA LANGE

Go Head Neck Need Over Passion
A documentary photograph is not a factual photograph.
DOROTHEA LANGE

Documentaries Factual Life Photography
… it came to me that what I had to do was to take pictures and concentrate upon people, only people, all kinds of people, people who paid me and people who didn’t.
DOROTHEA LANGE

All Came Concentrate Kind Only People Picture Take
The good photograph is not the object, the consequences of the photograph are the objects. So that no one would say, how did you do it, where did you find it, but they would say that such things could be.
DOROTHEA LANGE

Consequences Good Lens Object Photograph Photography

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