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Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.

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Creative Effort Human Machine Need Time

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The visual life is an enormous undertaking, practically unattainable.
DOROTHEA LANGE

Photographer Photography Unattainable Undertaking Visual
I had to get my camera to register things that were more important than how poor they were–their pride, their strength, their spirit.
DOROTHEA LANGE

Camera Important Poor Pride Spirit Strength Thing
I encountered that many times, in unexpected places. And I have learned to recognize it when I see it.
DOROTHEA LANGE

Animal Courage Encounter Highest Said Time Undeniable
One should really use the camera as though tomorrow you’d be stricken blind.
DOROTHEA LANGE

Blind Camera Photography Reality Stricken Tomorrow
Photography is a lot like telling a large predatory cat what to do-while an audience of people you can’t see watches you.
DOROTHEA LANGE

Audience Cat Large People Photographer Photography Predatory Tell
The people who are garrulous and wear their heart on their sleeve and tell you everything, that’s one kind of person, but the fellow who’s hiding behind a tree and hoping you don’t see him is the fellow that you’d better find out why.
DOROTHEA LANGE

Better Everything Fellow Hide Kind People Person See Tell
Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.
DOROTHEA LANGE

Eye Life More Phenomenon Photography Psychological
You put your camera around your neck along with putting on your shoes, and there it is, an appendage of the body that shares your life with you.
DOROTHEA LANGE

Along Around Body Camera Life Neck People Share Shoes Show
One should really use the camera as though tomorrow you’d be stricken blind.
DOROTHEA LANGE

Blind Camera Photography Realy Styricken Tomorrow Use
We know by now how to photograph poor people. What we don’t know is how to photograph affluence – whose other face is poverty.
DOROTHEA LANGE

Affiuelence Face People Photograph Poor Poverty Race
To know ahead of time what you’re looking for means you’re then only photographing your own preconceptions, which is very limiting, and often false.
DOROTHEA LANGE

Ahead Along False Know Limit Look Mean Own Photographer Photography Preconception Put
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
DOROTHEA LANGE

Before Exhausted Photographer Possibility Soon Subject
I’ve never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning – but some phase of photographer I’ve always been.
DOROTHEA LANGE

More never Phases Photographer Sure Yourself
I believe in living with the camera, and not using the camera.
DOROTHEA LANGE

Believe Camera Live Use
Life, for people, begins to crumble on the edges; they don’t realize it.
DOROTHEA LANGE

Crumble Edge Enormous People Realizing
No country has ever closely scrutinized itself visually.
DOROTHEA LANGE

Closely Country Ever Itself Scruntinzed Visually

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