These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
DARREN ARONOFSKYI feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap.
More Darren Aronofsky Quotes
-
-
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY -
The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
DARREN ARONOFSKY -
I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
DARREN ARONOFSKY -
For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKY -
The whole visual language of the movie is developed way before we get to set.
DARREN ARONOFSKY -
To me, watching a movie is like going to an amusement park. My worst fear is making a film that people don’t think is a good ride.
DARREN ARONOFSKY -
I think people are people and, if their feelings are truthful, they can connect. It doesn’t matter if you’re an aging, 50-something wrestler at the end of his career, or an ambitious, 20-something ballet dancer.
DARREN ARONOFSKY -
I think that there’s an infinite amount of places where you can stick a camera. There’s an infinite amount of choices of what could be going on. There’s an infinite amount of places for so many things, so you have to figure out how to do your job.
DARREN ARONOFSKY -
That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
DARREN ARONOFSKY -
I’m Godless. I’ve had to make my God, and my God is narrative filmmaking
DARREN ARONOFSKY -
Now there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
DARREN ARONOFSKY -
I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
DARREN ARONOFSKY -
I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
DARREN ARONOFSKY -
It’s not that much of a difference. Basically, your job is the same as a film director. It’s a triangle between creativity, money, and time. But they don’t really change. You’re ultimately trying to get the most creativity and time with the money that you have.
DARREN ARONOFSKY -
I think people are people and if their feelings are real and truthful, they can connect.
DARREN ARONOFSKY