For too long we have been taking, and the Earth has been giving. But that free-for-all, that all-you-can-eat buffet, it’s over. The salad bar is closed.
DARREN ARONOFSKYNow there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
More Darren Aronofsky Quotes
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I end up spending a tremendous amount of energy and time trying to get money to make these movies and it’s exhausting.
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God can be found anywhere, and in fact, everywhere. And you don
DARREN ARONOFSKY -
I’m Godless. And so I’ve had to make my God, and my God is narrative filmmaking, which is — ultimately what my God becomes, which is what my mantra becomes, is the theme.
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Comic books and graphic novels are a great medium. It’s incredibly underused.
DARREN ARONOFSKY -
I’ve been joking that if Madonna taught us anything, you’ve got to reinvent yourself. I think it’s important as a filmmaker, as any person working in the arts, that you’ve got to try new stuff and challenge yourself and take chances.
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I spent about a year and a half doing technical post work on ‘The Fountain’. Although I do like the process, I think my favorite part of filmmaking is the actors.
DARREN ARONOFSKY -
The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
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I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
DARREN ARONOFSKY -
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
DARREN ARONOFSKY -
I think I came to film-making through writing. I started to write, and people, teachers, responded to my writing.
DARREN ARONOFSKY -
I couldn’t sleep one night and I was sitting in my office and I realized that I was an independent filmmaker.
DARREN ARONOFSKY -
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
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That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
DARREN ARONOFSKY -
I’ve spent a life loving women and studying them as much as I can, or am allowed to.
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I’ve tried to take a chance with every film I’ve done – I’ve never done it the easy way, and I think that’s because that’s what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
DARREN ARONOFSKY