I’ve always wanted to introduce hip-hop filmmaking to film. There’s hip-hop art, dance, music, but there really isn’t hip-hop film. So I was trying to do that.
DARREN ARONOFSKYNow there is so much expertise and brainpower it’s hard to be at the cutting edge of what’s cool and not do something that’s totally geeky.
More Darren Aronofsky Quotes
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There was that whole Ecstasy culture. People were having a pretty good time in the ’90s.
DARREN ARONOFSKY -
That’s the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It’s upsetting because you get away from the core.
DARREN ARONOFSKY -
The ’90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the ’90s than they were in the ’80s. The ’90s was Ecstasy, the ’80s was yuppies.
DARREN ARONOFSKY -
I think that there’s an infinite amount of places where you can stick a camera. There’s an infinite amount of choices of what could be going on. There’s an infinite amount of places for so many things, so you have to figure out how to do your job.
DARREN ARONOFSKY -
These wrestlers aren’t organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There’s a lot of drama there.
DARREN ARONOFSKY -
When I go to movies I generally want to be taken to another world.
DARREN ARONOFSKY -
I was 12 or 13 years old. So I started to write poetry and fiction, even though I was really into biology because my dad was a science teacher. I kept writing all those years.
DARREN ARONOFSKY -
CGI means, just to be clear, creating any type of image with a computer. Basically, starting off with nothing, or with images and manipulating them.
DARREN ARONOFSKY -
If you think of that, as a parent, you know that if you have too much justice and you’re too strict, you destroy a child. If you have too much mercy, as a parent, you destroy a child as well. A big part of this movie is Noah finding mercy for man.
DARREN ARONOFSKY -
I wasn’t a big fan of social anthropology. And, luckily, that created room for me to work in visual arts because I sort of ignored my requirements. I think I was attracted to social anthropology because I liked to travel and was always interested in far-off places.
DARREN ARONOFSKY -
I don’t make films that are easy to market, unfortunately. I think that ‘Pi’ was the easiest one, because we had that symbol to stick up everywhere, so that was a good gimmick, and created a good mystery, and we didn’t have to do huge scale.
DARREN ARONOFSKY -
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
DARREN ARONOFSKY -
I think there’s something in collaboration – the fact that you can sit there and bounce ideas off of someone. It definitely matters who the person is, because certain people… T
DARREN ARONOFSKY -
When people think about the ark, they’re always thinking about all the thousands of years of religious iconography of a ship with a bow and a deck, where Noah and the giraffes could walk around. In the actual written text it is basically described as a long, rectangular box.
DARREN ARONOFSKY -
I’m not sure where the artistry in film making is. It’s usually that moment when you’re on set and you’re working with the actors.
DARREN ARONOFSKY