It’s obvious that if you’re going to play a character you need to amass information about that person and about their environment or their era that they’re in and use as little or as much as necessary
CILLIAN MURPHYI’m terrible. I’m the wrong person to talk to, I really don’t know a thing.
More Cillian Murphy Quotes
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I like the little bit of distance that London affords me and I like living in a world capital. I like having the culture at my fingertips.
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Every Irish person of my generation and earlier, we were raised Catholic and we’d have to learn it in school, we’d to learn the catechism by rote.
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I’ve never done a film for the money.
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I’ve always felt kind of safe on stage, protected. I’ve talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I’ll have more butterflies.
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I’m interested in pressure, I’m interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.
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I really feel actors should try and do as much diverse work as possible to try and keep it interesting.
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The medium is secondary to the stories.
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I like being at home with my music and my books. I’ve done all the partying, I’ve done enough partying for four or five people as a young fella. But now I like the quiet life.
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I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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I’ve had the pleasure and the great luck to work with some incredible actors over the years and you have to observe and learn and take something from it and try and become better yourself.
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I come from a long line of teachers. Not only did I not go into the family business; I had an aborted law career and I played in bands. ‘Disco Pigs’ was my first professional acting experience.
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I think it’s necessary to keep moving forward. I’ve always said that nostalgia is death, really for anyone creative.
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You take the job very seriously and between action and cut, that’s where your focus should be. And then there’s a lot of levity in between and a lot of good fun.
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I think you fall out of love with theater while you’re doing your eighth show of your eighteenth week and your body is saying, “Please make this end.”
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I always think it’s a sign of a truly gifted director when they can move seamlessly between genres.
CILLIAN MURPHY






