I’ve had the pleasure and the great luck to work with some incredible actors over the years and you have to observe and learn and take something from it and try and become better yourself.
CILLIAN MURPHYEvery Irish person of my generation and earlier, we were raised Catholic and we’d have to learn it in school, we’d to learn the catechism by rote.
More Cillian Murphy Quotes
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I think for me with theater, I need to take a break and then fall in love with it again. And then go do it again.
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You take the job very seriously and between action and cut, that’s where your focus should be. And then there’s a lot of levity in between and a lot of good fun.
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The best roles you have to fight for. You have to really want to do it and you have to go after it.
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I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.
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My only two constants are to challenge myself and to try not to repeat myself.
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I don’t know if anyone will ever sit beside me on a plane again.
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I’m interested in pressure, I’m interested in duress. All the great works of art, or film or literature, in my opinion, have elements of those in them.
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You’re an actor who’s Irish, not an Irish actor. And you shouldn’t be limited by your extraction.
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There’s a lot of comedy in Intermission but it’s got this depth. It’s not comedy for comedy’s sake – it’s informed by something else. I like stuff like that
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It was very much about performances, the whole ensemble thing was just great – everybody working together. Sometimes it didn’t feel like a film set. It wasn’t technically driven, it was very, very enjoyable.
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I think any actor that says ‘I never watch my films’ is a liar because you have to watch it at least once and also you’re going to watch it when you’re doing your ADR.
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I suppose I’ve always been attracted to this sort of outsider in general – in literature, in music, politics, whatever – and to the person that is able to be relentlessly themselves. I don’t think that I have that quality, that strength of mind.
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It’s obvious that if you’re going to play a character you need to amass information about that person and about their environment or their era that they’re in and use as little or as much as necessary
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And once you’re unafraid with death, I think your capacity for violence is immediately increased. Once you’re unafraid of death, you are a very, very dangerous adversary.
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I always think it’s a sign of a truly gifted director when they can move seamlessly between genres.
CILLIAN MURPHY