Try to make things that can become better in other people’s minds than they were in yours.
BRIAN ENOThe problem with computers is that there is not enough Africa in them.
More Brian Eno Quotes
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But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
BRIAN ENO -
Because if someone does that, you can find your own position in relation to it: what is it that I don’t agree with? In the studio I want to articulate a position clearly enough so that other people can use it – or chuck it away if they don’t want it.
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
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I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
BRIAN ENO -
The biology of purpose keeps my nose above the surface.
BRIAN ENO -
I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
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Saying that cultural objects have value is like saying that telephones have conversations.
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I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
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I want to rethink surrender as an active verb.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
BRIAN ENO