One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
BRIAN ENOSome people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
More Brian Eno Quotes
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
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Anything popular is populist, and populist is rarely a good adjective.
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American television really is pathetic.
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I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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I don’t like headphones very much, and I rarely listen to music on headphones.
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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
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Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
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Every collaboration helps you grow.
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Lyrics are always misleading because they make people think that that’s what the music is about.
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I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
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Set up a situation that presents you with something slightly beyond your reach.
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What matters in modern music is not the part you can write down, the words and the tune, but the rest – the texture, the atmosphere, the references and associations.
BRIAN ENO