I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
BRIAN ENOOne of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
More Brian Eno Quotes
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
BRIAN ENO -
Every collaboration helps you grow.
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The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
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Painting, I think it’s like jazz.
BRIAN ENO -
Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
BRIAN ENO -
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
BRIAN ENO -
A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
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It’s actually very easy for democracy to disappear.
BRIAN ENO -
The biology of purpose keeps my nose above the surface.
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
BRIAN ENO -
I do sometimes look back at things I’ve written in the past, and think, ‘I just don’t remember being the person who wrote that.’
BRIAN ENO -
It’s amazing how quickly people get used to bad quality.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
BRIAN ENO -
The problem with computers is that there is not enough Africa in them.
BRIAN ENO