Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENOWhen I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
More Brian Eno Quotes
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Try to make things that can become better in other people’s minds than they were in yours.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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The idea that something is uncool because it’s old or foreign has left the collective consciousness.
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What happens with notation is that it reduces things to a language which isn’t necessarily appropriate to them. In the same way that words do, you get a much cruder version of what was actually intended.
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I suppose I am reluctant about being any sort of ‘star’ and I didn’t particularly want to be portrayed as one.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO -
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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If something is good, you must torture it mercilessly until it is either dead or great.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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One often makes music to supplement one’s world.
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I don’t live in the past at all; I’m always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
BRIAN ENO