I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
BRIAN ENOThere are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
More Brian Eno Quotes
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In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
BRIAN ENO -
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
BRIAN ENO -
Be the first to not do what nobody has ever thought of not doing before.
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Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
BRIAN ENO -
There’s a kind of edge to what you’re doing, the kind of leading edge of what you’re doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. “I’ve pulled that one out before. Oh, no, I can’t I’m just fed up with that.
BRIAN ENO -
The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
BRIAN ENO -
I hate the rock music tradition. I can’t bear it!
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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Saying that cultural objects have value is like saying that telephones have conversations.
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It’s actually very easy for democracy to disappear.
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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I’m very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
BRIAN ENO