If you grow up in a very strong religion like Catholicism you certainly cultivate in yourself a certain taste for the intensity of ideas.
BRIAN ENOThere are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
More Brian Eno Quotes
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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Emotion creates reality, reality demands action.
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If something is good, you must torture it mercilessly until it is either dead or great.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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I believe in singing.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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I’ve noticed a terrible thing, which is I will agree to anything if it’s far enough in the future.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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I’m very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
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Make an exhaustive list of everything you might do & do the last thing on the list.
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The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
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It’s nice, I think, when people use your music for things you didn’t think of.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
BRIAN ENO