Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
BRIAN ENOMusic in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.
More Brian Eno Quotes
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
BRIAN ENO -
Try to make things that can become better in other people’s minds than they were in yours.
BRIAN ENO -
Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
BRIAN ENO -
I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they’re inclined to encourage that.
BRIAN ENO -
Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
BRIAN ENO -
Make an exhaustive list of everything you might do & do the last thing on the list.
BRIAN ENO -
Once you’ve grown to accept something and it becomes part of the system you’ve inherited, you don’t even notice it any longer.
BRIAN ENO -
My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
BRIAN ENO -
Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
BRIAN ENO -
I hate the thought that someone had picked up one of my song records and was really excited about it, and walks [out of] a record shop with On Land and is disappointed because it isn’t what they wanted.
BRIAN ENO -
The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
BRIAN ENO -
If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
BRIAN ENO -
The artists of the past who impressed me were the ones who really focused their work.
BRIAN ENO -
I hate the way CDs just drone on for bloody hours and you stop caring.
BRIAN ENO -
There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
BRIAN ENO