The biology of purpose keeps my nose above the surface.
BRIAN ENOWhen I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
More Brian Eno Quotes
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Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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Everything good proceeds from enthusiasm.
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As struggles go, being an artist isn’t that much of one.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can’t be a deep human being without it or any of them.
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Law is always better than war.
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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The time I like listening to music most on headphones is, I have a game I play with my brother, he’s a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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The artists of the past who impressed me were the ones who really focused their work.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
BRIAN ENO