I belong to a gospel choir. They know I am an atheist but they are very tolerant.
BRIAN ENOThere are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
More Brian Eno Quotes
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I wanted to use the studio like a microscope for sound, which is what good engineers do.
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I often work by avoidance.
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There are hundreds of manufacturers always producing dvices that in general do the same things. Since they have slight structural differences if you take one and fool around with it and give it a good kick it will actually do something that it wasn’t designed to do.
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The seven white notes on the piano – each section of the piece (there are 12 sections) is five of those seven white notes.
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I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they’re inclined to encourage that.
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The Marshall guitar amplifier doesn’t just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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Admirers can be a tremendous force for conservatism.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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The handbook always tells you what it does, and you can be quite sure that if it’s a complex device it can do at least fifteen other things that weren’t predicted in the handbook, or that they didn’t consider desirable. It’s normally those other things that interest me.
BRIAN ENO