At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
BRIAN ENOStop thinking about art works as objects, and start thinking about them as triggers for experiences.
More Brian Eno Quotes
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
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In fact, quite a lot of what I do has to do with sound texture, and, you can’t notate that. You can’t notate the sound of “St. Elmo’s Fire.” There’s no way of writing that down. That’s because musical notation arose at a time when sound textures were limited.
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It’s amazing how quickly people get used to bad quality.
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Put out as much as you can. It doesn’t do anything sitting on a shelf.
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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The handbook always tells you what it does, and you can be quite sure that if it’s a complex device it can do at least fifteen other things that weren’t predicted in the handbook, or that they didn’t consider desirable. It’s normally those other things that interest me.
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What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
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Robert Fripp and I will be recording another LP very soon. It should be even more monotonous than the first one!
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Anything popular is populist, and populist is rarely a good adjective.
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The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
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We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That’s occasionally what happens.
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Most game music is based on loops effectively.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENO






