One often makes music to supplement one’s world.
BRIAN ENOStop thinking about art works as objects, and start thinking about them as triggers for experiences.
More Brian Eno Quotes
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.
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It’s easy to forget that your best work is done when your attention is fully engaged.
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When I went back to England after a year away, the country seemed stuck, dozing in a fairy tale, stifled by the weight of tradition.
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I suppose I am reluctant about being any sort of ‘star’ and I didn’t particularly want to be portrayed as one.
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Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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I despise computers in many ways. I think they’re hopelessly underevolved and overrated.
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
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One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
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Admirers can be a tremendous force for conservatism.
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The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
BRIAN ENO