I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
BRIAN ENOI thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
BRIAN ENOSaying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENOLook closely at the most embarrassing details, and amplify them.
BRIAN ENOWhen people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
BRIAN ENOThe basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
BRIAN ENOIt’s amazing how quickly people get used to bad quality.
BRIAN ENOOne of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
BRIAN ENOA part of me has become immortal, out of my control.
BRIAN ENOIf you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
BRIAN ENOI don’t live in the past at all; I’m always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
BRIAN ENOFor instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
BRIAN ENOIf I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
BRIAN ENOThink inside the work – outside the work
BRIAN ENOI think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
BRIAN ENOWhen I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
BRIAN ENOIn my normal life I’m a very unadventurous person.
BRIAN ENO