People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
BRIAN ENOOne of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
More Brian Eno Quotes
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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Painting, I think it’s like jazz.
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As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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I don’t like headphones very much, and I rarely listen to music on headphones.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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A big ego isn’t necessarily a bad thing. A big ego means that you have some confidence in your abilities, really, and that you’re prepared to take the risk of trying them out.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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Quite often, and in fact more often, I would say, I’m struggling all the way through to think, “What is it I like about this? What is the personality of this thing I’m hearing that I like so much?”
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I hate the way CDs just drone on for bloody hours and you stop caring.
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The time I like listening to music most on headphones is, I have a game I play with my brother, he’s a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file.
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
BRIAN ENO