I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
BRIAN ENOThe vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
More Brian Eno Quotes
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing – ‘Oh, let’s put that sentence there, let’s get rid of this’ – have become commonplace in films and music too.
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We’re going through this super-uptight era, which I think comes entirely from literacy, actually. It’s the result of machines that were designed as word processors being used for making music.
BRIAN ENO -
When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
BRIAN ENO -
I belong to a gospel choir. They know I am an atheist but they are very tolerant.
BRIAN ENO -
I’m very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
BRIAN ENO -
But now you see the results of that in people who are completely crippled unless they know that they have the possibility of “cut and paste” and “undo.” And “undo” and “undo” and “undo” and “undo” and “undo” again.
BRIAN ENO -
I hate the way CDs just drone on for bloody hours and you stop caring.
BRIAN ENO -
It infuriates me that stuff from the Internet routinely doesn’t include all the credits. Because as soon as I listen to something, if I like it, I want to know, “Who’s the bass player?” “Who did that?” “Who’s the engineer on this?
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In my normal life I’m a very unadventurous person.
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Make an exhaustive list of everything you might do & do the last thing on the list.
BRIAN ENO -
The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
BRIAN ENO -
Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
BRIAN ENO -
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
BRIAN ENO -
What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
BRIAN ENO -
I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
BRIAN ENO