Every increase in your knowledge is a simultaneous decrease. You learn and you unlearn at the same time. A new certainty is a new doubt as well.
BRIAN ENOA part of me has become immortal, out of my control.
More Brian Eno Quotes
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape.
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Well, there are some things that I just can’t get out of my head, and they start to annoy me after a while.
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People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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Being completely free to choose what to do is actually quite difficult
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When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn’t expected or predicted by what I supplied.
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My guitar only has five strings ’cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
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The most important thing in a piece of music is to seduce people to the point where they start searching.
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I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away.
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The most important thing is the thing most easily forgotten.
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