You know that in order to copyright material somebody has to write it down for you. Any piece of recorded material has to be scored in order for it to be copyrighted.
BRIAN ENOIf you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
More Brian Eno Quotes
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Culture is everything you don’t have to do.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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I’ve always thought that art is a lie, an interesting lie. And I’ll sort of listen to the “lie” and try to imagine the world which makes that lie true…what that world must be like, and what would have to happen for us to get from this world to that one.
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I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
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For the world to be interesting, you have to be manipulating it all the time.
BRIAN ENO -
I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
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I believe in singing.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I’m obviously in the latter camp. I think that people respond better to reward than punishment.
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I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you.
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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Saying that cultural objects have value is like saying that telephones have conversations.
BRIAN ENO -
I thought it was magic to be able to catch something identically on tape and then be able to play around with it, run it backwards; I thought that was great for years.
BRIAN ENO