A part of me has become immortal, out of my control.
BRIAN ENOAt the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
More Brian Eno Quotes
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Saying that cultural objects have value is like saying that telephones have conversations.
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I think the other thing that’s important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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The thing that obsesses me more than anything is waste – the waste of human intelligence and creativity.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
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The tools are evolving, and people’s interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness.
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A responsible designer might try to overcome this limitation – probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
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In terms of what has been happening recently, there have been, I think, some really interesting new instruments that have come out that sort of show me the direction of the future. Korg has introduced the – they’ve had a whole series now of these things called Kaoss Pads.
BRIAN ENO