Of course with everybody else aiming there as well that makes it very hard and expensive to hit. I prefer to shoot the arrow, then paint the target around it. You make the niches in which you finally reside.
BRIAN ENOAdmirers can be a tremendous force for conservatism.
More Brian Eno Quotes
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The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
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People who are very confident in themselves aren’t hurt by criticism. They make use of it.
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I think that there’s something that I still like about the fact of a package, like the latest report from somebody. “Okay, this is what they’re up to now; this is what they’re doing; who’s working with them?
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The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture.
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It’s amazing how quickly people get used to bad quality.
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The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
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Think inside the work – outside the work
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You don’t have to act as if you know what you’re doing
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Something I’ve realized lately, to my shock, is that I am an optimist, in that I think humans are almost infinitely capable of self-change and self-modification, and that we really can build the future that we want if we’re smart about it.
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So, that means you can only play either very high or very low or both. And we’re going to stay there until I take my finger down.
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What I would really like to do, if I could have a sort of kingship for a short time and organize the group of my dreams.
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There are certain sounds that I’ve found work well in nearly any context. Their function is not so much musical as spatial: they define the edges of the territory of the music.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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Stop thinking about art works as objects, and start thinking about them as triggers for experiences.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
BRIAN ENO