After a while you learn that everything stops.
BRET EASTON ELLISAnd it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
More Bret Easton Ellis Quotes
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Fear never shows up and the party ends early.
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You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
BRET EASTON ELLIS -
Why was I holding on to something that would never be mine? But isn’t that what people do?
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS -
I stare into a thin, web-like crack above the urinal’s handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone.
BRET EASTON ELLIS -
Everyone I know who is successful has issues with their father, regardless of whether it was sports or business or entertainment.
BRET EASTON ELLIS -
People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
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Baby, when you were young and your heart was an open book, you used to say live and let live. You know you did, you know you did, you know you did.
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Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
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What does that mean know me, know me, nobody ever knows anybody else, ever! You will never know me.
BRET EASTON ELLIS -
Do you know what Ed Gein said about women?’ […] ‘”When I see a pretty girl walking down the street I think two things.
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I could stay living in this city if they just installed Blaupunkts in the cabs.
BRET EASTON ELLIS -
Writing fiction is an act of imagination and fantasizing, and it’s not relating in prose what you’ve been doing for the last two or three years.
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I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
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People are afraid to merge.
BRET EASTON ELLIS