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I don’t know why I write what I write.

Bret Easton Ellis

And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
BRET EASTON ELLIS

Boy Boys Catholic Sex
Look how black the sky is, the writer said. I made it that way.
BRET EASTON ELLIS

Black Looks Sky
Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS

Care Hair Mulling Over
People can get accustomed to anything, right? Habit does things to people.
BRET EASTON ELLIS

Accustomed Anything Habit People
Devastates me and I make a mental note to ask him where he purchases his hair-care products, which kind of mousse he uses, my final guesses after mulling over the possibilities being Ten-X.
BRET EASTON ELLIS

Devastate Lowering Mental Mote Sunglasses
It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
BRET EASTON ELLIS

Analysis Communicating Key Mind Rational
I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
BRET EASTON ELLIS

Novel Scene Touched
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
BRET EASTON ELLIS

Men Moving Odds
I think a lot of snowflakes are alike…and I think a lot of people are alike too.
BRET EASTON ELLIS

People Snowflake Thinking
On the seals’ tank a plaque warns: COINS CAN KILL–IF SWALLOWED, COINS CAN LODGE IN AN ANIMAL’S STOMACH AND CAUSE ULCERS, INFECTIONS AND DEATH. DO NOT THROW COINS IN THE POOL.
BRET EASTON ELLIS

Death Handful Stomach Through Zookeepers
My mask of sanity was a victim of impending slippage. This was the bone season for me and I needed a vacation.
BRET EASTON ELLIS

Mask Sanity Slippage Vacation
The Smiths are singing and someone says “Turn that gay angst music off.
BRET EASTON ELLIS

Angst Gay Singing
I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
BRET EASTON ELLIS

Choices Looks Thinking
I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS

Director Issues Writing
That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
BRET EASTON ELLIS

Answer Girl Love Party Question
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
BRET EASTON ELLIS

Assumptions Despite Everywhere Locked Permeated

I don’t know why I write what I write.

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I don’t know why I write what I write.

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