She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
BRET EASTON ELLISI think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
More Bret Easton Ellis Quotes
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I don’t want to care. If I care about things, it’ll just be worse, it’ll just be another thing to worry about. It’s less painful if I don’t care.
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I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it.
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Look how black the sky is, the writer said. I made it that way.
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Rock ‘n’ roll. Deal with it.
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You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
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At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
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Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
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I want no one to escape, but even after admitting this there is no catharsis, my punishment continues to elude me and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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What does that mean know me, know me, nobody ever knows anybody else, ever! You will never know me.
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And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
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Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
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I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning
BRET EASTON ELLIS