You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
BRET EASTON ELLISEveryone I know who is successful has issues with their father, regardless of whether it was sports or business or entertainment.
More Bret Easton Ellis Quotes
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Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
BRET EASTON ELLIS -
Yes. Yes I am. I am a completely demented misogynist.
BRET EASTON ELLIS -
You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
BRET EASTON ELLIS -
Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
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That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
BRET EASTON ELLIS -
Devastates me and I make a mental note to ask him where he purchases his hair-care products, which kind of mousse he uses, my final guesses after mulling over the possibilities being Ten-X.
BRET EASTON ELLIS -
One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.”‘ I stop finish my J&B in one swallow. ‘What does the other part of him think?’ Hamlin asks tentatively. ‘What her head would look like on a stick…’
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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Do you know what Ed Gein said about women?’ […] ‘”When I see a pretty girl walking down the street I think two things.
BRET EASTON ELLIS -
Fear never shows up and the party ends early.
BRET EASTON ELLIS -
If I want to write a movie, I’ll write a screenplay, but if I have an idea for a book, it’s something that I think can only be done novelistically.
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There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed.
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I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
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I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
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But this was what happened when you didn’t want to visit and confront the past: the past starts visiting and confronting you.
BRET EASTON ELLIS