I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
BRET EASTON ELLISYou don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
More Bret Easton Ellis Quotes
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I totally relate to Tom Cruise. He’s not crazy, it’s just the litany of the mid-life crisis.
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Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
BRET EASTON ELLIS -
At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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Fear never shows up and the party ends early.
BRET EASTON ELLIS -
Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS -
You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
BRET EASTON ELLIS -
The Smiths are singing and someone says “Turn that gay angst music off.
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How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
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There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it I have now surpassed.
BRET EASTON ELLIS -
I tried to make meat loaf out of the girl but it becomes too frustrating a task and instead I spend the afternoon smearing her meat all over the walls, chewing on strips of skin I ripped from her body
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We buy balloons, we let them go.
BRET EASTON ELLIS -
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
BRET EASTON ELLIS -
Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
BRET EASTON ELLIS