With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
BRET EASTON ELLISThere’s no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me.
More Bret Easton Ellis Quotes
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It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
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And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
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I like the idea of a writer being haunted by his own creation, especially if the writer resents the way the character defines him.
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A great numb feeling washes over me as I let go of the past and look forward to the future. Pretend to be a vampire.
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You really write the books you want to write. You can’t take into consideration anything that anybody has said about you in the past, or what they’ll say about you in the future.
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I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don’t remember seeing and I look up at it.
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Everyone I know who is successful has issues with their father, regardless of whether it was sports or business or entertainment.
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At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd; though I smell prey, and he seems worthy of my wrath.
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I don’t really need to pretend, because it’s who I am, an emotional vampire. I’ve just come to expect it. Vampires are real. That I was born this way. That I feed off of other people’s real emotions. Search for this night’s prey. Who will it be?
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There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
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But this was what happened when you didn’t want to visit and confront the past: the past starts visiting and confronting you.
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People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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Fear never shows up and the party ends early.
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The Smiths are singing and someone says “Turn that gay angst music off.
BRET EASTON ELLIS







