I think a lot of snowflakes are alike…and I think a lot of people are alike too.
BRET EASTON ELLISAfter a while you learn that everything stops.
More Bret Easton Ellis Quotes
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Her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars’ worth of rap CDs but, as expected, I’m at a loss: […] voices uttering ugly words like digit, pudding, chunk.
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People can get accustomed to anything, right? Habit does things to people.
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She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
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I have to return some videotapes
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It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
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Open the hood of a car and it will tell you something about the people who designed it, is just one of many phrases I’m tortured by.
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So what do I do? Toss a handful of change into the tank when none of the zookeepers are watching. It’s not the seals I hate——it’s the audience’s enjoyment of them that bothers me.
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I think in life, there are certain choices you make that are timeless and universal, and don’t necessarily have anything to do with the particulars of a certain decade.
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Yes. Yes I am. I am a completely demented misogynist.
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I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
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You don’t market-research a novel; you really are writing it for yourself. It’s a hobby, in many ways. The problem becomes what you do when you’re confronted by criticism. You just don’t listen to it.
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I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
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Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
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But this was what happened when you didn’t want to visit and confront the past: the past starts visiting and confronting you.
BRET EASTON ELLIS