I’ve actually only seen it once, and it was in Hawaii, in a little theater in Oahu shortly after it was released. But Roland Emmerich is a really smart guy, and he makes really fun movies to watch.
BRENT SPINERThat’s what kids were like then. So I really like the movie [Dude, Where’s My Car? ], I think it’s genuinely funny, and I wish I hadn’t been so arrogant about it. And, of course, I didn’t know it was going to be my best work, either.
More Brent Spiner Quotes
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Any job you can go to and have a laugh everyday has got to be a good job.
BRENT SPINER -
I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don’t go to Hollywood, you go straight to New York and work in the theater. So that’s what most of the people I knew did.
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That’s what kids were like then. So I really like the movie [Dude, Where’s My Car? ], I think it’s genuinely funny, and I wish I hadn’t been so arrogant about it. And, of course, I didn’t know it was going to be my best work, either.
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I had no idea I was part of what was going to be a big mega-hit. I thought I was doing a B sci-fi movie [Independence Day].
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One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
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My own personal favorite Cher song is the unforgettable Gypsies, Tramps and Thieves.
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I got Greg Aronowitz, who does [ Felicia Day] sets, to do mine as well, and he’s just amazing. He can work miracles with nothing.
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[The Aviator] came about through John Logan, who I’ve been friends with for many years.
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The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
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And I was, like, “Oh, my God, I can’t believe I’m performing a musical number in front of Donald O’Connor,” who’s one of the greats of the silver screen. But it was a thrilling experience, it really was.
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Generally, I have to be able to get the lines out of my mouth without making a mistake before I go to sleep.
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It’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
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Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
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Having spent so much time in a fictional world, I prefer to read about the real world
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[Independence Day] was a sweet, sweet job, because it was one of those big surprises.
BRENT SPINER