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There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.

Brent Spiner

I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who’s an illustrious director now, and it starred…
BRENT SPINER

Broadway Country People
I didn’t really watch the show [Star Trek]. I still haven’t seen about 150 of them. So I didn’t really think of them too much in terms of episodes. I thought of them as kind of one long seven-year episode.
BRENT SPINER

Country People Stars Thinking Years
Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
BRENT SPINER

Amazing Directed Experience Introducing
I had a really nice time on [Alphas]. It was a bunch of really good actors, and I was particularly thrilled to be working with David Strathairn.
BRENT SPINER

Actors Bunch Nice
I always refer to [Stardust Memories] as Sharon Stone’s and my first film.
BRENT SPINER

Firsts Memories Stones
One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
BRENT SPINER

Family Interesting Stars Think Wells
Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
BRENT SPINER

Car Country Effort Half People
It’s fun to do something different. And there are things you can do in a small palate that you can’t necessarily do in a larger role.
BRENT SPINER

Fun Littles Running
A job is a job. And I like to work.
BRENT SPINER

Jobs Like Work
There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
BRENT SPINER

Numbers People Wish
The one on Fresh Hell is a little easier, because we make it up. It’s a strange kind of hybrid of the real me and… Well, obviously it’s me standing there, and it’s my voice and my face, but it’s also kind of filtered through Harry Hannigan’s take on the character, the one he’s writing.
BRENT SPINER

Character Real Writing
Like, she had a caterer, she had wardrobe people, she had two makeup artists… I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable.
BRENT SPINER

Makeup Mean Mom
Timing is everything, as you know.
BRENT SPINER

Everything Knows Timing
Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say “You’re fired” to Diane Lane. That’s about all you see of me.
BRENT SPINER

Cutting Gentlemen Mean Nice Second Version
Most of the time, what I do, somewhere there is comedy in it.
BRENT SPINER

Comedy Most Somewhere Time
The only problem with that – and she was lovely – was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark’s daughter. And he figured that if he ran out of money, her father would kick in some more.
BRENT SPINER

Basically Figured Lovely Producer Thing

There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.

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There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.

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