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That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.

Brent Spiner

We would literally grab a shot and run. But Rent Control… I think the total cost was $100,000, and to this director’s credit, I think it looks like $200,000.
BRENT SPINER

Control Director Look Rent Think
And I’m telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits.
BRENT SPINER

Country Made Movie People Permits
I don’t know what her budget was or is, but she had sponsors for her show, and we don’t have a sponsor yet, so basically, the difference is, our moms make our costumes.
BRENT SPINER

Costumes Series Studio Worked
Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken.
BRENT SPINER

Couple Mean Men
Joey being one of my finest performances ever. Matt LeBlanc’s basically doing the same thing right now, playing himself on Episodes.
BRENT SPINER

Heart Thinking Way
Earl Mills is probably the best role I’ve ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who’s a hero of mine.
BRENT SPINER

Giving Hero Roles
A job is a job. And I like to work.
BRENT SPINER

Jobs Like Work
One of the things about working on Star Trek that was always so great was that we all got along as well as we did. We really became family.
BRENT SPINER

Family Interesting Stars Think Wells
I had no idea I was part of what was going to be a big mega-hit. I thought I was doing a B sci-fi movie [Independence Day].
BRENT SPINER

Ideas Independence Thinking
They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
BRENT SPINER

Episode Legacy Stars
Pierre [from Dude, Where’s My Car?] could be the best thing I’ve ever done. When you distill it down to a minute and a half of work, that may be my finest effort.
BRENT SPINER

Car Country Effort Half People
The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young – I think I’m 28 years old in that – and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.
BRENT SPINER

Character Country Jobs
Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she’s the queen of the web.
BRENT SPINER

Mean Moxie Queens
Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
BRENT SPINER

Amazing Directed Experience Introducing
I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom.
BRENT SPINER

Memories Photography Space
I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].
BRENT SPINER

Sweet Thinking Three

That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.

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That was a really interesting series [Threshold ] that I think would’ve been really great had it continued.

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Popular Authors

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