People will listen to a song and expect that you just have that persona on all the time. But really, that was your one outlet that one day to get that emotion out. The only difference was you put it on a canvas that’s going to be there forever.
BRENT FAIYAZThe first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
More Brent Faiyaz Quotes
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There’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
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I work while I’m on the move, so I’m able to book sessions in different cities.
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I want to own my masters. That’s the main thing–owning all my music.
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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I think it was ‘The Diary of Alicia Keys’. That was the first time album I ever bought with my own money. I had a little Discman.
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I was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
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An outside party don’t ever stay outside.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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I think if you’re an interesting person, you don’t have to cloud yourself in mystery for people to want to know more about you.
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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Sonder is the realization that every individual passerby has their own life just as vivid and complex as yours.
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If it feels good coming out, then I really don’t care about anything else, for real. It’s all about just having fun with it. If it feels like less work, then the project is coming out better.
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If you tell somebody that you make music they’re all interested. But when you say you rap, they just start rolling their eyes at you. It would’ve taken me a lot longer to get my foot in the door if I’d continued rapping all the way.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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In 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
BRENT FAIYAZ