I got a toy keyboard when I was around like five or six.
BRENT FAIYAZI got a toy keyboard when I was around like five or six.
BRENT FAIYAZYou work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
BRENT FAIYAZBeing old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
BRENT FAIYAZMe and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
BRENT FAIYAZMy music is often written from the perspective of an extroverted introvert.
BRENT FAIYAZI got a dog and am trying to elevate. I’m working out, eating healthier, reading books. Making ‘Make it Out Alive’ is going to be a reflection of all of that.
BRENT FAIYAZIn 2018, nothing is sacred. Everyone is everywhere and knows everybody. I don’t text too personal because somebody might screenshot it and share it.
BRENT FAIYAZIn order for people to take what you say seriously, they have to know who you are as a person.
BRENT FAIYAZI’d prefer for people to know that they’re going to get some substance when they listen to my music versus hearing the same ‘Oooh baby, I love you.’
BRENT FAIYAZI want to own my masters. That’s the main thing–owning all my music.
BRENT FAIYAZIf I have a collection of songs for an EP or mixtape, I create the narrative afterwards; but usually with an album, I have a concept and the name first.
BRENT FAIYAZI used to think that there was a certain way I had to stick to when it came to R&B, but now I’m saying whatever, the same way these rappers do. I’m bringing that into R&B music.
BRENT FAIYAZYou gotta question the purpose you serve for those who invite themselves into your life. Learn who you are and always question the motive. No one knows you the way you do.
BRENT FAIYAZI recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
BRENT FAIYAZI was reading Neil Postman’s ‘Amusing Ourselves to Death’. It’s one of my favourites.
BRENT FAIYAZAs cliche as it sounds, don’t stop. I feel like so often people will have talent or have potential, and they’ll quit because they don’t get anywhere as soon as they want to.
BRENT FAIYAZ