We’re products of this world we were born into. We all battle our own demons. Everyone is troubled in the dark, but, please just stop & think about the babies. They’re gonna be here long after we leave.
BRENT FAIYAZThere’s the hype stuff that people love for five minutes and then there’s the stuff that changes cultures and shifts how you look at music. And then there’s that rare point where that hype stuff changes the game.
More Brent Faiyaz Quotes
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I recorded everywhere. I would go to different cities and do a session there for the project. I did sessions in New York and I did sessions in L.A. It was just kind of wherever I was and I felt like cutting a track.
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If I’m being honest, I was messing up on every other level in my life growing up – whether it was in school or in my jobs. I was always distracted by my love for music.
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If you can look in the mirror and say I love myself, that’s going to affect your interactions with people who look like you.
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Being old didn’t seem like an accomplishment. Everyone I knew who was old was like sick or broke. It just didn’t look appealing until I moved to L.A. and started interacting with people who were 50+ and still kicking it, having money, living large.
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I really just wanted to make something special for women. There aren’t enough records uplifting them out there.
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Me and Goldlink have known of each other for a minute and our managers know each other so they set up a studio session. When we got in the studio, we was cool; we’re from the same area so we have a lot in common.
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The first couple of times I went out and heard my voice or heard people listening when I wasn’t the one playing it for them, it felt good.
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I probably talk to myself more than I talk to anyone.
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I mean, I wasn’t the best student in school. It would be different if I were to pursue music while I was already in school and doing things for my parents to be proud of and music was a side thing. Being that I dropped everything to do music, they was not with it.
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When you’re initially making music, you’re kind of just shooting at the air.
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You work on something for so long that you become numb to it. Like, you don’t even know how to listen to it because you listened to it so many times.
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I could always sing just playing around, but I ain’t want to be no singer. I thought that was lame.
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I know when it comes to the actual narrative of my solo music, it’s its own thing. That’s why I went out of my way after ‘Crew’ to not do a bunch of collaborations.
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With the Sonder music, I pull a lot from what’s around me.
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I started off making beats when I was like 12. Then when I linked with people who make beats full time, I was like, ‘Bet, now I can focus on writing and singing.’
BRENT FAIYAZ






