You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.
BRENDA UELANDIf you write something and they all tell you it is bad – editors, critics, everybody – think it over and you may become convinced that they are right (though you are not to be ashamed or discouraged for a minute, but keep on writing).
More Brenda Ueland Quotes
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They do not know that ideas come slowly, and that the more clear, tranquil and unstimulated you are, the slower the ideas come, but the better they are.
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…at last I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had.
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… when I am really alone some power seems to grow in me. … Conjugality made me think of a three-legged race, where two people cannot go fast and keep tripping each other because their two legs are tied together.
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The only good teachers for you are those friends who love you, who think you are interesting, or very important, or wonderfully funny.
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Self-trust is so important. When you launch on a story, make your neck loose, feel free, good-natured. And be lazy. Feel that you are going to throw it away. Try writing utterly unplanned stories and see what comes out.
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You Do Not Know Is in You- an Inexhaustible Fountain of Ideas. Another reason for writing a diary is to discover that the ideas in you are an inexhaustible fountain.
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I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months.
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When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
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It is so conceited and timid to be ashamed of one’s mistakes. Of course they are mistakes. Go on to the next.
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There is that American pastime known as “kidding” – with the result that everyone is ashamed and hangdog about showing the slightest enthusiasm or passion or sincere feeling about anything.
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You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.
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Know that it is good to work. Work with love and think of liking it when you do it.
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Work freely and rollickingly as though you were talking to a friend who loves you. Mentally (at least three or four times a day) thumb your nose at all know-it-alls, jeerers, critics, doubters.
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Families are great murderers of the creative impulsive, particularly husbands.
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The writer has a feeling and utters it from his true self. The reader reads it and is immediately infected and has exactly the same feeling. This is the whole secret of enchantment and fascination.
BRENDA UELAND