We all come back to our little worlds.
BRADFORD COXAll music is devotional, whether it’s devotion to products, face washes, creams, plastic. Everybody is devoted to something.
More Bradford Cox Quotes
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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I need punk rock. It’s the medicine for me, but it’s bitter and sickening. If you don’t need it – if you’re happy and healthy – run toward that.
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Talk to Arto Lindsay and I’m sure he’s tired of people asking him about DNA; he’s probably really into what he’s doing now, which is good stuff.
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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The same people that always think I’m pretentious will think I’m pretentious, and the people who relate to me will continue to relate to me.
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I don’t have anything to prove.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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