I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
BRADFORD COXI see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
More Bradford Cox Quotes
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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I’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
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All music is devotional, whether it’s devotion to products, face washes, creams, plastic. Everybody is devoted to something.
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I’m a really friendly guy, I guess, and I really like meeting people.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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For me, experimenting involves traditionalism.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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