I’m not the guy in the dress with the blood and the unrequited gay whatever – which, according to my psychiatrist, my gayness is a form of narcissism but you’ll have to ask him about that.
BRADFORD COXThey had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
More Bradford Cox Quotes
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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We all come back to our little worlds.
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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Contrary to popular belief, maybe, I’m a really friendly guy, I guess, and I really like meeting people. And I’m not really super impressed even if you’re my hero.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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I don’t like the sound of my own voice. And, for people I don’t know, their impression of me is what they read on the internet, and they’re so far off a lot of the time.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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