Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
BRADFORD COXThey had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
More Bradford Cox Quotes
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Sometimes, I do have something to say, so I’ll sit there and I’ll write a song to someone – and then I just throw it away because it makes me cringe.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.
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When money and fame happen too late, it’s like pouring kerosene over a fire of self-loathing.
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The same people that always think I’m pretentious will think I’m pretentious, and the people who relate to me will continue to relate to me.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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I need punk rock. It’s the medicine for me, but it’s bitter and sickening. If you don’t need it – if you’re happy and healthy – run toward that.
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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