I’m gonna put my two cents in as my status update on my Facebook page” or something. Not to sound like an anti-technology person, but it’s just a real drag that people live their lives that way.
BRADFORD COXI’ve been going through some personal things that have stirred up a lot of old wounds.
More Bradford Cox Quotes
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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I see a lot of people doing an “’80s thing” who weren’t even born until the ’90s.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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We all come back to our little worlds.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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When I started having a couple of beers and loosening up, I realized how many years I had wasted going back to my hotel room alone when I could have gone and just had a beer or two.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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I don’t have anything to prove.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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