In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
BRADFORD COXContrary to popular belief, maybe, I’m a really friendly guy, I guess, and I really like meeting people. And I’m not really super impressed even if you’re my hero.
More Bradford Cox Quotes
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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I don’t like the sound of my own voice. And, for people I don’t know, their impression of me is what they read on the internet, and they’re so far off a lot of the time.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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When I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
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The first thing I think I ever played in public, aside from singing in church, would have been – and this is a true story – when I was about nine or 10 years old, I was obsessed with Twin Peaks.
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We all come back to our little worlds.
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