There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
BRADFORD COXWhen I go on a nostalgia trip it’s not aesthetic. For me it’s about trying to recapture the smell or the feeling of something that I’ve experienced in the past personally.
More Bradford Cox Quotes
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I want to build an audience that’s willing to follow us in whichever direction we might choose.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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Sometimes, I do have something to say, so I’ll sit there and I’ll write a song to someone – and then I just throw it away because it makes me cringe.
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For me, experimenting involves traditionalism.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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Musicians and artists are not… it’s not like politicians or something where you can’t really affect them.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
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I’ve been going through a lot of… stuff. I need some space, which people were very kind enough to give me, and I feel really gracious about that. Nobody forces me to do things or say things or do interviews.
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Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they’re doing now.
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