I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.
BONNIE JO CAMPBELLMy donkeys are Jack and Don Quixote. They’re very smart, very cautious. Much of what people consider stubbornness in donkeys is actually cautiousness.
More Bonnie Jo Campbell Quotes
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In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
BONNIE JO CAMPBELL -
I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
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I was never a big reader as a kid. My imagination wasn’t captured by books very often. It was captured more often by boys and partying and riding horses.
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Drugs and drinking affect every family I know, country and city, middle-class and poor.
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
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I can’t personally drink or fight too much nowadays because I have to be perky in the morning in order to write.
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Being five-foot-ten at fourteen years old was a little bit scary.
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I’m not much interested in my own self when I write. I’m interested in what I observe out there, what’s going on around me.
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I mostly write about the working poor. Somehow, they’re not being written about much anymore.
BONNIE JO CAMPBELL -
Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
BONNIE JO CAMPBELL -
I’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
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You can’t beat a good sonnet, and you can write a sonnet without being married to the damned thing.
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All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
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That’s why I have to be a fiction writer, because I can’t remember what just happened or where I went last week or what movie I just watched with my husband. I’m better off just making things up.
BONNIE JO CAMPBELL