I realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
BONNIE JO CAMPBELLI was never a big reader as a kid. My imagination wasn’t captured by books very often. It was captured more often by boys and partying and riding horses.
More Bonnie Jo Campbell Quotes
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For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
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I always felt a weird obligation to be adventurous.
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I’m very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
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You can’t beat a good sonnet, and you can write a sonnet without being married to the damned thing.
BONNIE JO CAMPBELL -
The truth is I tried to write for years and I wasn’t very good.
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Any of us who listen to the news or listen to stories our neighbors tell are accustomed to violence.
BONNIE JO CAMPBELL -
Being five-foot-ten at fourteen years old was a little bit scary.
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I figure that I’m always going to be fine, one way or another, but I do worry about other people who have difficulty moving from one world to the next. It’s the folks who are truly invested in their lives who have the hardest time with change.
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Nobody tells young writers it’s okay if you’re not very good, you’ll get better. So I just thought I’m not very good, so I should try to do every other thing besides writing. That’s how I ended up being a hitchhiker, a world traveler, and a mathematician.
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I have a second-degree black belt in Okinawan kobudo weapons training.
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If you have someone falling out of the boat, you’d have to drag the boat up the river and film the same scene ten times, every time, dragging the boat exactly where it was up the river.
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I hope that my stories serve as explorations and help show readers how and why real-life women don’t always make the “correct” decisions in the face of economic and sexual troubles.
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When I was little, we lived on 8 acres and my mom had a horse. But when I was 7, my mom kicked my dad out, and then in order to feed us five kids, she got critters cheap or for free and raised them for food.
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The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.
BONNIE JO CAMPBELL