Racism operates in a lot of ways, and so I live it every day.
BOCAFLOJAIn the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
More Bocafloja Quotes
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They have to add up all those processes and articulate those privileges to try to equalize the historical process.
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The racial question, and thus class struggle, of course, I think they are processes which necessarily are intersecting all the time.
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This is a theme that makes uncomfortable a lot of people, and it obviously makes the Latin American Left uncomfortable.
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I believe that music offers us possibilities for analysis, at least in my case, more profound in many ways, but at the same time that profundity is an accessible profundity that has atemporal repercussions.
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I think that in the colonial imaginary of the average Mexican, in how it drives us, the economic dependence on the US, and in some cases cultural dependence, is quite palpable, very strong.
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In the same imaginary of the Latin American Left exists a racism, a racism that corresponds to processes of colonialism internal to almost all countries in Latin America.
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Like Syria, like other parts of the Middle East, including conscious Islamic-American rappers that are representing an international political agenda for the United States through cultures more affable for people of color in other parts of the world.
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The Latin American Left, the criollos, direct descendents of Spaniards, they don’t want to accept that they are the whites of Latin America.
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We should remember what a rapper like Tupac Shakur was doing, to a certain degree, who came from an experience of politicization very close to being a “Panther Baby”.
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The whites have the responsibility to put themselves at attention with the form they operate in with people of color and try to always lay out that pattern to connect with people and say, “I am conscious of my privileges and I am accounting for myself.”
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I believe that we have to play the game of strategy, and understand how to move the pieces because this is how the political spectrum functions.
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European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, “Hey, Mumia Abu-Jamal is relevant in the US.
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I can’t marry myself to one idea or one form of doing politics or one form of understanding politics.
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I believe gangsta rap, as such, in its foundation is simply anti-systemic and transgressive.
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On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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