I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
BLACK FRANCISI don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
More Black Francis Quotes
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Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
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I drive a lot. Just for pleasure. Sometimes I’ll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y’know, just see where roads lead.
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You should never rely on interviews with musicians as being factual.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
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I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
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I’ve got a small, loyal audience, which is great. And I appreciate that. They’re there for me every time.
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I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
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That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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One guy just kept asking me and asking me in an interview, and I kept saying, “I just got done telling you no, there’s nothing to report.”
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Some people think, “Oh, just go do that thing you used to do before.” But it just doesn’t work like that. It’s a lot more mysterious or slippery.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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Record companies have been overcharging people for way too long and now this is the trouble that they’re in.
BLACK FRANCIS