I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
BLACK FRANCISI think everybody has a painter inside of them somewhere.
More Black Francis Quotes
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My most cryptic, strange songs might be my most personal, but that isn’t how people are going to receive them, because they don’t know the code.
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When we’ve got something to say to the world, we will. I’m really happy that people are interested. “So, what’s up with the Pixies record? So, what’s up with the Pixies record?”
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If you’re a good band then the filter of the band is pretty strong.
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I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.
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I drive a lot. Just for pleasure. Sometimes I’ll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y’know, just see where roads lead.
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Record companies have been overcharging people for way too long and now this is the trouble that they’re in.
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One guy just kept asking me and asking me in an interview, and I kept saying, “I just got done telling you no, there’s nothing to report.”
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I’m really inspired by the interplay of visual art and music, a total artistic environment where there’s sound and visuals.
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This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.
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That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
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I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
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I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
BLACK FRANCIS