I was able to read poets that were – allowed me to be humorous without being silly.
BILLY COLLINSThe literary world is so full of pretension, and there’s such an enormous gap between how seriously poets take themselves and how widely they’re ignored by everybody else.
More Billy Collins Quotes
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I try to presume that no one is interested in me. And I think experience bears that out. No one’s interested in the experiences of a stranger – let’s put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
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The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,
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I’m very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader’s attention back into the interior of the poem.
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The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.
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Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.
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So many names, there is barely room on the walls of the heart.
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I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
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The mind can be trained to relieve itself on paper.
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I see woefully obscure poetry as simply a kind of verbal rudeness.
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…balancing the wish to be lost with the need to be found.
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While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
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I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.
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A sentence starts out like a lone traveler heading into a blizzard at midnight, tilting into the wind, one arm shielding his face, the tails of his thin coat flapping behind him.
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I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.
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Every Day Is for the Thief is a vivid, episodic evocation of the truism that you can’t go home again; but that doesn’t mean you’re not free to try.
BILLY COLLINS