No one here likes a wet dog.
BILLY COLLINSI had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn’t know what I was doing. It had very little connection to my life.
More Billy Collins Quotes
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The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you’re simply using a pen to record what you have thought out.
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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
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Bugs Bunny is my muse.
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I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
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I try to presume that no one is interested in me. And I think experience bears that out. No one’s interested in the experiences of a stranger – let’s put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.
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Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
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There’s a lot of unconscious activity that goes on I think in the composition of a poem.
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I was an only child, a very late child, born to parents who were both 39 at the time, which was very late back then. That kind of confirmed my sense of being the center of the universe, which I guess every child feels – children and poets both tend to feel.
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I’m very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader’s attention back into the interior of the poem.
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I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
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It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
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You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
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Poems are not easy to start, and they’re not easy to finish. There’s a great pleasure in – I wouldn’t say ease, but maybe kind of a fascinated ease that accompanies the actual writing of the poem. I find it very difficult to get started.
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More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree – a difficulty which really ignores the possibility of having a sensible reader.
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Another trouble with poetry – and I’m gonna stop the list at two – is the presence of presumptuousness in poetry.
BILLY COLLINS