I guess part of the hit-man appeal is the solitude. Everybody is lured to the idea of the solitary life.
BILL NIGHYIf I’m onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.
More Bill Nighy Quotes
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I’m just aware of what I’m thinking and feeling but I do obviously have to get that to the back of the auditorium.
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I’m not an actor who consciously accesses bits of my life, in order to play parts. Obviously, you don’t need to have been a father to play one, otherwise everyone who’s been a father would be able to act.
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There are only three men in the world who are licensed to wear shorts: Brad Pitt, Johnny Depp and Tom Cruise.
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I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn’t operate in those kinds of trousers. Which is a joke, but it’s actually also true – if I want to appear in public I want to look my best.
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I wanted to be a journalist, I thought it was glamorous and that I’d meet beautiful women in the rain.
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Try to be in the day. Try to not have today stolen from you by anxiety about yesterday or tomorrow.”
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I learned far too late in life that a long list of letters after someone’s name is no guarantee of compassion, kindness, humour, all the far more relevant stuff.
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The phenomenon of vampires has always appealed to me. Everyone kind of likes a vampire story because it almost could be true.
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I don’t even own a car.
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You get older and you see yourself and say, ‘God, he’s old, who’s that?’
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When I do a play, it’s like agreeing to be ill for a couple of months.
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I used to do nothing but plays. I’ve been very fortunate that on several occasions I’ve had jobs where I didn’t want to be anywhere else in the world whatever you had to offer – however much money you’ve got
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I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
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I did pick up a guitar once, but the strings hurt my fingers so I put it down again.
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In one way, an attempt to reproduce the way people actually speak, but it’s not just an attempt at naturalism. It’s stylised and it’s heightened, to great effect. It’s elegant and it’s funny and that’s the way to my heart, frankly.
BILL NIGHY